TEACHERS' LOUNGE

 

By John M. Twomey

Copyright John M. Twomey

  


Originally produced by the Laguna Playhouse, Laguna Beach, California

Richard Stein, Executive Director

Andrew Barnicle, Artistic Director


 

CAST OF CHARACTERS

(in order of appearance)

All are high school English teachers.

 

MARTY GOLDBERG - in his late 50s.

NORA O'REILLY - in her 40s.

WALLACE JOHNSON - in his early 20s.

STAN COHEN - around 50.

FELIX WHITE - in his mid 30s.

SAL VINCENT - in his early 40s.

SUSAN WAGNER - in her early 30s.

 

Setting

The English teachers' lounge of Amsterdam High School, a fictitious New York City public high school.

Time

The Present.

Stage Directions

Stage directions have been kept to a minimum and serve primarily to suggest character movement. As a general guideline, Felix, Stan and especially Marty tend to sit. Sal, Wallace and especially Nora sit less and tend to move around more. Susan rarely if ever sits.


 

Act One, Scene One

Marty Goldberg is sitting at his table. Behind him, hung across the windows, is a large computer-printed sign that reads "Welcome Back, Teachers" on top and, in smaller letters, "Amsterdam High School" on bottom. The calendar is turned to September, and the Tuesday after Labor Day has been crossed off. Marty is in his late 50's and has a naturally angry look. He’s wearing inexpensive casual clothing--the same clothing he’s been wearing for the last few decades. He is eating donuts from a Dunkin Donuts box as he reads The New York Post.

PA ANNOUNCEMENT

Will Mr. Goldberg please call the main office. Will Mr. Goldberg please call the main office.

Marty throws a donut at the speaker and continues reading. Nora O’Reilly enters. Charismatic and bohemian, she is in her 40s though she has an ageless quality to her. She’s dressed in loose, casual clothes that suggest a youthful spirit.

NORA

(singing)

Oh what a beautiful morning,

Oh what a beautiful day...

Nora picks up the donut, tosses it in the trash, glides across to her table and takes some books out of her canvas bag. Marty gives her a dirty look and returns to his paper.

NORA

What are you reading?

MARTY

The Decline and Fall of Western Civilization.

NORA

Not the Post. The Times is the only paper left that doesn't cater to the intellectually bankrupt.

MARTY

It's messy. You can't take a leak after reading it without washing your hands first.

NORA

Get out of the dark ages, Marty…they changed the ink.

Nora approaches Marty.

NORA

What's today's headline? Did they see Martians in Missouri again?

Marty holds up the paper.

NORA

(reading)

Schools Reopen -- Thugs Now Off Streets.

Marty looks at the paper and then at Nora, not amused by her joke.

PA ANNOUNCEMENT

Will Mr. Goldberg please call the main office. Will Mr. Goldberg please call the main office.

MARTY

He's dead. Call someone else.

NORA

What's that all about?

MARTY

They want me to cover another class for that new teacher. He was sent downtown to the Superintendent's office to fill out paperwork.

NORA

Since when do we have a new teacher?

MARTY

Schwartz hired him yesterday. At least I think it's a him. No one's met him yet.

NORA

Well, if he got sent to the Superintendent's office to fill out paperwork, he might not be back for hours.

MARTY

I'm not covering any more of his classes.

NORA

Days maybe.

MARTY

This is ridiculous. One day back to prepare--and we waste most of it in meetings--and then they feed us to the savages.

Nora approaches Marty.

NORA

Why don't we just chain the savages to gurneys and wheel them from classroom to classroom?

MARTY

It's not right.

NORA

We could attach electrodes to their heads and transmit knowledge with shock machines. I bet you'd love that Marty.

Nora mimics shocking Hector.

NORA

OOPS. Sorry about your little Hector, Mrs. Rodriguez.

MARTY

But don't feel too bad about it. Just name the next one you drop Hector too. Ha-ha! Don't think she wouldn't.

NORA

You're impossible.

MARTY

Most people aren't fit to be parents. And the people who are fit to be parents are also smart enough not to have kids.

NORA

That's ridiculous.

MARTY

Did you ever notice how few teachers become parents?

NORA

Plenty become parents.

MARTY

You never did.

NORA

I never stayed with a husband long enough. But you're a parent.

MARTY

Yeah. But that wasn't my fault.

NORA

Your wife got pregnant all by herself?

MARTY

We went to the Poconos and got one of those suites with the heart-shaped beds and mirrored ceilings. Real classy place. And my wife forgets her things.

NORA

Her things?

MARTY

Yeah, her things. Her birth control things.

NORA

(laughing)

Is that what you called them? Didn't you know what she used?

MARTY

(with disgust)

That's women's business. And what does her mistake get me? A twenty-four year old son who runs the French fry machine at McDonalds.

NORA

He still hasn't gone back to school?

MARTY

He's still playing drums in that rock band. He says they'll become the next Rolling Pistols or Sex Stones.

NORA

Rolling Stones or Sex Pistols.

MARTY

Whatever.

NORA

He's young. He's finding himself.

MARTY

Why doesn't he find himself a real job?

PA ANNOUNCEMENT

Will Mr. Goldberg please call the main office. Will Mr. Goldberg please call the main office.

Marty marches to the speaker and starts beating it with his newspaper.

NORA

How'd your first class go?

Marty gives her a dirty look.

NORA

Sorry I asked.

Marty walks to the coffee maker and puts his Post down.

MARTY

The day can only get better.

Marty puts some coffee in the coffee maker and turns it on. It short-circuits and starts smoking.

MARTY

Shit!

Nora runs over.

NORA

Are you OK?

Nora pulls the plug out.

MARTY

I needed a cup...badly.

NORA

(puts hand on Marty’s shoulder)

You're better off without it. Give your nerves a rest.

MARTY

(yelling)

My nerves don't need a rest!

Nora pulls away, shaken by Marty’s sudden outburst. Marty grabs his Post and walks back to his seat.

NORA

A lot of good the summer did you.

Nora starts to make an "Out of Order" sign. When she finishes she tapes it to the coffee maker.

MARTY

Don't start asking me about my summer.

NORA

I didn't ask.

MARTY

Good, because then you'll start telling me how great your summer was and how lousy you think mine was, even though I'd take my summer over your summer any day.

NORA

I didn't ask.

MARTY

Good.

NORA

Want to know what I did?

MARTY

No!

Nora approaches Marty.

NORA

(with animation)

Paris.

MARTY

Paris? Again? What the hell for?

NORA

Anyone who says "Paris, again!" wouldn't understand.

MARTY

What's the matter with your own country? Those people don't even like us.

NORA

That's ridiculous.

MARTY

My wife dragged me there one summer. It was awful. I could feel the contempt in every damn sidewalk cafe. It was like doing cafeteria patrol.

NORA

Were you wearing your Bermuda shorts and Disney World shirt?

MARTY

What's wrong with being comfortable?

NORA

I needn't ask more.

MARTY

You figure they'd be more appreciative of all this country has done for them.

NORA

All I'm going to say is Paris beats the hell out of the three Bs.

MARTY

I didn't say a thing about the three Bs.

NORA

No, but you haven't done a damn other thing in all the years I've known you. Baseball, beer and barbecues...how utterly boring.

MARTY

Some people appreciate the simpler things in life.

NORA

Some people are simple.

MARTY

Ha-ha. What are you teaching this term?

NORA

Creative Writing and the Junior Honors class.

MARTY

Again? Listen to what I get. Freshmen and Remedial Writing. This is my fifth year in a row with freshmen.

NORA

I haven't taught freshmen in over a decade.

MARTY

Rub it in.

Wallace Johnson enters. He's in his early 20's, clean-cut, and wearing a tie and somewhat awkwardly fitting jacket. He is carrying a knapsack over his shoulder.

WALLACE

Excuse me, I'm looking for...

MARTY

Get lost, kiddo.

NORA

Marty! I think you're in the wrong room. This is the teachers' lounge.

WALLACE

I know. I'm looking for...

MARTY

He knows. Listen to him. He knows. Isn't anything sacred anymore? Where can we hide?

NORA

Who are you looking for?

WALLACE

The English Chairperson, Mrs. Schwartz. It's about my program.

NORA

Go to the program office. It's the room on the first floor with a big "We Aim to Please" sign over the door and all the students waiting outside with complaints.

MARTY

Bring food and a sleeping bag. You'll be there a while.

WALLACE

You don't understand. I'm Wallace Johnson. (a pause)) The new English teacher.

Nora and Marty are shocked.

MARTY

Oh my God.

NORA

I don't believe it. I have students in my Creative Writing classes who look older than you.

MARTY

I have students in my Remedial Writing classes who are older than you.

WALLACE

I hope I'm not late. Should I tell Mrs. Schwartz that I'm here?

MARTY

What for? She gave you your program. Did she give you keys and a Delaney book?

WALLACE

Yes.

Wallace steps towards Marty.

MARTY

Then have a seat and start counting the years to retirement.

WALLACE

Shouldn't I have something to give out to the students?

MARTY

On the first day?

WALLACE

What about books? Shouldn't they start working?

MARTY

Give them Delaney cards to fill out.

Marty hands him a stack of Delaney cards from the table. Wallace looks at one of the cards, surprised at how small it is.

WALLACE

This will take the entire period?

MARTY

Kid, they're not rocket scientists. If they finish early, tell them they screwed up and have to do them over.

WALLACE

Is that pedagogically correct?

MARTY

It kills 40 minutes.

WALLACE

What about tomorrow?

MARTY

Go over the school regulations sheet.

NORA

Assign them seats.

MARTY

Slowly.

WALLACE

Isn't that wasting too much time on non-teaching tasks?

MARTY

Non-teaching tasks?

Nora and Marty laugh.

MARTY

Is this your first job?

NORA

You must have just graduated college.

WALLACE

Last May.

Wallace sits at the table by the refrigerator.

MARTY

(laughing menacingly)

You've got a lot to learn.

Stan Cohen enters. He's about 50. He's wearing a fishing hat and plaid shirt and looks as if he'd rather be fishing than at work. He walks to the calendar, takes a magic marker hanging on a string next to it, and crosses off the next weekday.

STAN

83 instructional days to go until intersession. (notices Wallace) Why is there a student in here?

NORA

Meet your new colleague.

STAN

You're kidding.

Wallace offers his hand to shake.

STAN

Why kid, why? Get out while you can.

WALLACE

Excuse me.

STAN

It's an insane asylum! And they have it all planned so you can't get out. It might look good now--out at 3, lots of days off, summer vacation with pay. But one of these days you'll wake up and ask "why?"

NORA

For Christ's sake, leave the boy alone. You're as bad as Marty.

STAN

Well it's the truth. Even if you come in saying you'll only do this a couple of years, they get you. One day you wake up and you're over 30, you have tenure and decide making a change would be too great a risk. The young teachers who get out fast...they're the smart ones. (to Wallace) But until you come to your senses, there’s one golden rule to always follow.

WALLACE

What?

STAN

Never give out the bathroom pass. Never.

WALLACE

But what if...

STAN

Never. And never, ever park near the school. They’ll get your car if you do. Park at least ten blocks away and never on the same street two days in a row.

Stan joins Marty.

MARTY

Stan, are you sure you counted all the holidays? I could have sworn we came out ahead this year.

STAN

(as he takes out a pocket calendar)

I went over the calendar twice. This is it.

MARTY

What about Rosh Hashanah?

STAN

A weekend.

MARTY

Figures. I'm Jewish and I can't even enjoy it.

STAN

Even Martin Luther King Day doesn't really count. It comes after the last day of classes, so we lose a day out of intersession instead of a day with the kids.

MARTY

What a shame. You have sick days coming to you?

STAN

Used them all.

MARTY

How do they expect us to get by on just one sick day a month?

STAN

It's rough.

MARTY

Especially those months with no holidays.

Stan takes a paper from his pocket.

STAN

But listen to this. I have something better than sick days.

MARTY

What?

Stan shows Marty the paper.

STAN

Jury duty.

MARTY

No!

STAN

I report at the end of the month.

MARTY

What luck! But what if the administration tries to get you out of it?

STAN

Can't. They already got me out of it twice before.

MARTY

I'd kill to be in your place.

STAN

(with animation)

I hope I get a murder...no, a double murder. A maniac high school student who did both his parents in...with a chain saw. I'll make him fry.

Felix White enters, carrying a bagged lunch and a briefcase. He's in his mid-30s and bald. His appearance is meek and meticulous. He's wearing a heavily starched shirt buttoned all the way up, a tightly knotted tie, a navy jacket and wire-rim glasses. He walks with anal-retentive precision to the refrigerator, puts in his lunch, and walks to Wallace's chair. Only then does he realize that the chair is occupied.

FELIX

Excuse me, young man. I beg your pardon, but I believe you may be in the wrong place. This room is for teachers.

MARTY

Ask him for his ID card.

FELIX

Do you think I should?

MARTY

Felix, I think you forgot something at home.

FELIX

What?

Felix nervously checks that his tie is on and his fly is zipped.

MARTY

Your spine. Tell me. How do you stand in front of a class for 40 minutes without a backbone?

FELIX

I get it. You're teasing me.

NORA

He's so on top of things.

FELIX

Young man, can I see your ID card?

WALLACE

I'm Wallace Johnson, the new teacher.

Wallace offers his hand to shake. Felix ignores him.

FELIX

Oh. Then you're in my chair. Please get up.

Marty and Stan watch eagerly in anticipation of a confrontation.

NORA

There are plenty of other chairs.

FELIX

But that's my chair. I always sit in that chair. Without exception. Everyone knows that. Right?

NORA

Does it really matter?

FELIX

I cannot function properly if I am not in my traditional seat.

STAN

You stick up for yourself, Felix.

FELIX

Please get out of my seat.

Felix turns away and starts breathing heavily, as if he is trying unsuccessfully to contain his rage. Nora gestures to Wallace that Felix is a little nuts and it would be best if he got up. Wallace gets up as if his life depended on it.

NORA

Seat's free, Felix.

FELIX

(meekly, no more rage)

Thank you very much.

Nora gestures for Wallace to sit at her table. He does so, keeping a wary eye on Felix. Nora steps towards Felix and watches as he takes out a handkerchief, wipes the seat and the table space in front of it, and sits down. He then opens his briefcase, takes out various pens, markers, pencils, an electric pencil sharpener, correction fluid, etc., and arranges them methodically in front of him.

NORA

Is that a new tie, Felix?

FELIX

Yes. My mother bought it. Do you like it?

NORA

Oh yes. It's very becoming on you.

FELIX

Thank you. I'm going to wear it to our church supper tonight. Maybe I'll make some heads turn.

NORA

Oh, I'm sure all the single women will have their eyes on you.

FELIX

That's what my mother says.

NORA

No doubt she had that in mind when she bought it.

FELIX

She says to ignore them if they become too aggressive.

NORA

I don't think you have anything to worry about.

FELIX

Pushy women are bad apples.

NORA

They only want one thing.

FELIX

That's right. And I can't be had so easily. I won't marry just anyone, even if I am in my prime breeding years.

NORA

You hang in there Felix. Don't fall prey to some bimbo who's only after you for...for...for whatever it is you have to offer.

Sal Vincent enters. He's in his early 40s. He’s wearing the casual yet stylish clothing found on the pages of contemporary men’s magazines. He is in very good shape and seems like one who's lived his years to the fullest. He puts down his briefcase and proceeds to the coffee maker without breaking his stride.

SAL

God, what a night. I need some coffee. Nice tie, Felix. Your mother buy it?

Sal tears off the "Out of Order" sign and holds it up.

SAL

Don't toy with me. I've got a fucking hangover that would kill a moose.

NORA

It's broken.

SAL

Shit.

Sal notices Wallace. He takes some change out of his pocket and hands it to him.

SAL

Hey kiddo, run down to the teacher's cafeteria and get me some coffee. And if that blue-haired bitch at the register hassles you, tell her she'll have to deal with me.

Sal turns away from Wallace.

NORA

Tell him, Wallace.

WALLACE

I'm the new English teacher.

Sal stops dead and turns back to Wallace--a revelation has struck him.

SAL

Oh my God! (a pause) I'm old.

NORA

Don't forget decrepit.

SAL

Thanks, sweetheart.

Sal offers Wallace his hand.

SAL

I'm Sal.

WALLACE

Wallace Johnson.

SAL

Wallace. Can I call you Wally? Wally, don't get your hopes up. This isn't Dead Poets Society.

NORA

Sal! Don't discourage him.

SAL

Seriously... Actually, I was being serious, but seriously, if you have any problems, need any help, don't hesitate to ask someone else. HA-HA. Just kidding, kid...my God, I'm calling someone kid who's not a student. Anyway, any questions, come to me.

WALLACE

Thanks.

Sal approaches Marty.

SAL

I see you've met some of the members of our illustrious department. Marty Goldberg...Mr. Multiple Choice...hasn't graded an essay in years.

MARTY

And damned proud of it.

Sal approaches Stan.

SAL

Here’s Stan Cohen. Stan, Stan, the calendar man. Knows all the holidays, uses all his sick days.

STAN

(confidentially)

And never sick a day in my life.

Sal approaches Nora and puts his hands on her shoulders.

SAL

Nora O'Reilly...ageless, vivacious Nora...she can make even Cotton Mather seem sexy. I've seen boys a fraction of her age watch in fascination as she walked down the hall.

NORA

Sal, if only you weren't married.

SAL

Separated.

NORA

Again?

SAL

It's a long story.

NORA

Tell me.

SAL

What's there I can tell you about separation?

NORA

I haven't been separated in a while. My third anniversary's next month.

SAL

This must be a record for you. (to Wallace) No other husband even made it to two.

NORA

Maybe age is slowing me down.

SAL

Age? You? Never.

Sal turns to Felix.

SAL

And then there's Felix White...

Felix looks up as he sharpens a pencil. Sal is at a loss for words.

WALLACE

They let him teach?

SAL

Amazing, isn't it? If you have a pulse and a BA, they'll put you in a classroom, though sometimes I wonder about his pulse. Where'd you go to school?

WALLACE

Brooklyn College.

SAL

Brooklyn, Brooklyn, Brooklyn. There's no place like Brooklyn. Brooklyn Heights. Brooklyn Bridge. Brooklyn Lager. Hey kid...Jesus, there I go again...kid, you want to know the secret of teaching?

WALLACE

Sure.

SAL

You a baseball fan?

WALLACE

Sure, but...

SAL

The Mets?

WALLACE

Yes.

Sal takes a laminated baseball card out of his wallet.

SAL

A 1969 Tom Seaver. Keep it in your wallet and nothing goes wrong.

NORA

Stop teasing him, Sal.

SAL

I'm dead serious. I'd never have survived without this.

WALLACE

Does it work?

SAL

Like a charm.

Sal hands Wallace the card.

WALLACE

Don't you need it?

SAL

Try it for a day. If you like it, I'll get you another. I have a friend who's a collector.

WALLACE

Thanks.

Wallace warily looks at the card and leaves it in front of him. Susan Wagner enters. She's in her early 30s. Although she has a very young looking face, her severe, conservative manner of dressing and carrying herself about make her seem older. She's holding a briefcase and her lunch.

SUSAN

Good morning, one and all.

MARTY

(softly, ominously)

She’s back.

The others give unenthusiastic greetings as Susan puts her lunch in the refrigerator. She then turns and seems about to say something important, but stops when she sees Wallace. She stares, getting madder by the moment. The others cut it.

ALL

(shouting)

He’s a teacher, He belongs here!

WALLACE

I’m Wallace Johnson, the new teacher.

SUSAN

(studying Wallace)

I find that hard to believe.

NORA

Believe it.

FELIX

It’s true, Miss Wagner.

STAN

But I warned him.

SUSAN

This is another one of your silly jokes. He's a senior. In fact, he was in one of my classes a couple of years ago. (to Wallace) Who put you up to this? Probably Mr. Vincent. He has a warped sense of humor. The joke, or the attempt at one, is over. Please leave.

WALLACE

But I am the new teacher.

SUSAN

OK, stay. Pretend you're a teacher. (to the others) He'd probably do a better job than you anyway.

WALLACE

The professors warned me about teaching in New York City.

Wallace shakes his head in disbelief. He then takes a piece of paper out of his jacket pocket and shows it to Susan.

SUSAN

(with great disappointment)

You mean I'm not the baby of the department anymore?

MARTY

Wake up and see the wrinkles. Soon you'll be slouched in one of these chairs, as old and broken down as the rest of us.

SUSAN

By the time I reach your age, I'll be reclining in the Superintendent's chair. Or maybe even the Chancellor's chair.

STAN

You've got a long way to go.

SUSAN

Not as long as you might think. Mrs. Schwartz filed her retirement papers today.

NORA

No. I thought she was kidding about retirement.

SUSAN

She's leaving in January.

SAL

I guess she really meant it.

STAN

We'd better not get some new person who thinks he has to prove himself.

SUSAN

Or herself.

SAL

You don't seriously think...

SUSAN

And why not? I have the credentials. And the vision to make necessary reforms. If we want to raise the educational standards in this... Who wants to hear the details of the conference I attended yesterday?

No one responds, but Susan is oblivious to this.

SUSAN

OK, first the keynote speaker...

MARTY

Someone stuff a sock in her mouth.

SAL

Shoot her.

MARTY

Or shoot me.

SUSAN

Don't you people care about your professional development?

ALL but Wallace and Felix

No!

FELIX

(raising hand)

I do.

Susan glances at Felix, but quickly disregards him and turns to the others.

SUSAN

I thought not. Which is why I had the foresight to prepare these.

 

Susan takes some booklets out of her briefcase.

SUSAN

I'll have one for the new teacher shortly.

Susan hands a booklet to everyone but Wallace.

STAN

What are they?

SUSAN

Syllabi for the courses you are teaching this fall. Last spring I convinced Mrs. Schwartz and Mr. Taft of the need for detailed English syllabi. I devoted the entire summer to the endeavor, but I feel it was well worth the effort.

SAL

You're kidding.

STAN

What do we need this for?

MARTY

Who's going to follow them?

SUSAN

Everybody. If you read the memo from Mr. Taft inside the front cover, you'll find that you are required to strictly follow them.

Marty gives her the raspberry. Nora rips out the memo and tears it into pieces. Sal rips his out, crumples it into a ball, and throws it in the air.

SUSAN

One day, you'll regret your attitudes. (to Wallace) Young man...

NORA

Wallace.

SUSAN

I sincerely hope you don't fall in with them and follow their example.

The bell rings. All but Susan and Felix are oblivious to it.

SUSAN

And now, I have a class to teach.

Susan takes her books, turns to face the door, and exits in a march-like walk. After she disappears, the others gather their things and reluctantly exit too. As they leave, all but Felix toss their syllabi in the trash. Wallace is the last to leave. A few seconds later, he reenters, takes the Tom Seaver card from the table, and exits again.

 

END OF SCENE